EXPERIENCE
Short Film
Year | Production | Role | Company/ Director |
2022 | Walking Shadows Vol. 1 | Hermione | Incognita Enterprises / Sally McLean |
2023 | Walking Shadows Vol. 2 (pre-production) | (Embargoed) | Incognita Enterprises / Sally McLean |
TV Comedy
Year | Production | Role | Company/ Director |
2022 | Aunty Donna’s Coffee Café | Axe Customer | Aunty Donna/Max Miller |
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TV Commercial
Year | Production | Role | Company/ Director |
2022 | GIO – Experts Campaign | Normal Person | Ogilvy |
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Presenting
Year | Production | Role | Company/ Director |
2014 | Questacon’s Excited Particles | Self | ABC Australia Network / Tracee Hutchinson |
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TRAINING
Year | Description | Institution |
2021 | Fulltime Course | Howard Fine Studio Australia |
2020 | Dialect Masterclass: US /Neutral Standard English – Jean Goodwin | Howard Fine Studio Australia |
2020 | Introduction to Voice-Over – Rhona Rees | Howard Fine Studio Australia |
2020 | Solo Performance – Karen Ludwig | Howard Fine Studio Australia |
2019 | Improvised Physical Theatre – Danielle Cresp | ActionTheater Australia |
2009 | Associate Degree: Acting for Screen and Stage | Charles Sturt University |
THEATRE
Musical Theatre Productions
Year | Project Name | Role Name | Production/Company |
2013 | Footloose | Eleanor Dunbar | Supa Productions |
2010 | Boy From Oz | Linelle – Trio | Canberra Philharmonic |
2009 | Snugglepot and Cuddlepie | Queen Obelia | Queanbeyan Players |
2005 | The Pajama Game | Mae | Queanbeyan Players |
Stage Play
Year | Production | Role | Company/ Director |
2023 | After Rebecca (in-rehearsal) | Solo Show | La Mama Explorations/ Emma Gibson + Michelle Cooper |
2019 | Hotel Sorrento | Pippa | Eltham Little Theatre / |
2016 | Macbeth | Lady MacDuff / First Witch | Canberra Repertory Society / Jordan Best |
2016 | Party | Phoebe | Miscellany Cooperative / Daniel McCusker |
2015 | Don’t Dress For Dinner | Suzanne | Canberra Repertory Society / Walter Learning |
2014 | #artctrl | The Bird | Julian Fleetwood |
2014 | A Midsummer Night’s Dream | Mustardseed | The Q / Jordan Best |
2014 | Twelfth Night | Fabian | Canberra Repertory Society / Ed Wightman |
2013 | Ragdolls | Anna | Short + Sweet / Alison McGregor |
2012 | The Mousetrap | Ms Casewell | The Q / Jordan Best |
2010 | The Clever Country | Sarah | The Street Theatre / Daniel McCusker |
2009 | Cat on a Hot Tin Roof | Mae | Free Rain Theatre / Jordan Best |
2008 | Three Sisters | Masha | Charles Sturt University Ensemble / Walter Grkovic |
Performances
Year | Production | Role | Company/ Director |
2021 | Scene Study: Four Dogs and a Bone | Collette | Howard Fine Acting Studio / Sarah Hallam |
2021 | Scene Study: Rabbit Hole | Becca | Howard Fine Acting Studio / Sarah Hallam |
2021 | Scene Study: Anything For You | Lynette | Howard Fine Acting Studio / Sarah Hallam |
2017 | Hamlet (staged reading) | Gertrude/Polonius | Shakespeare in the Pub / Cameron Thomas |
EXPERIENCE
Short Film
Year | Production | Role | Company/ Director |
2022 | Walking Shadows Vol. 1 | Hermione | Incognita Enterprises / Sally McLean |
2023 | Walking Shadows Vol. 2 (pre-production) | (Embargoed) | Incognita Enterprises / Sally McLean |
TV Comedy
Year | Production | Role | Company/ Director |
2022 | Aunty Donna’s Coffee Café | Axe Customer | Aunty Donna/Max Miller |
|
|
|
|
TV Commercial
Year | Production | Role | Company/ Director |
2022 | GIO – Experts Campaign | Normal Person | Ogilvy |
|
|
|
|
Presenting
Year | Production | Role | Company/ Director |
2014 | Questacon’s Excited Particles | Self | ABC Australia Network / Tracee Hutchinson |
|
|
|
|
TRAINING
Year | Description | Institution |
2021 | Fulltime Course | Howard Fine Studio Australia |
2020 | Dialect Masterclass: US /Neutral Standard English – Jean Goodwin | Howard Fine Studio Australia |
2020 | Introduction to Voice-Over – Rhona Rees | Howard Fine Studio Australia |
2020 | Solo Performance – Karen Ludwig | Howard Fine Studio Australia |
2019 | Improvised Physical Theatre – Danielle Cresp | ActionTheater Australia |
2009 | Associate Degree: Acting for Screen and Stage | Charles Sturt University |
THEATRE
Musical Theatre Productions
Year | Project Name | Role Name | Production/Company |
2013 | Footloose | Eleanor Dunbar | Supa Productions |
2010 | Boy From Oz | Linelle – Trio | Canberra Philharmonic |
2009 | Snugglepot and Cuddlepie | Queen Obelia | Queanbeyan Players |
2005 | The Pajama Game | Mae | Queanbeyan Players |
Stage Play
Year | Production | Role | Company/ Director |
2023 | After Rebecca (in-rehearsal) | Solo Show | La Mama Explorations/ Emma Gibson + Michelle Cooper |
2019 | Hotel Sorrento | Pippa | Eltham Little Theatre / |
2016 | Macbeth | Lady MacDuff / First Witch | Canberra Repertory Society / Jordan Best |
2016 | Party | Phoebe | Miscellany Cooperative / Daniel McCusker |
2015 | Don’t Dress For Dinner | Suzanne | Canberra Repertory Society / Walter Learning |
2014 | #artctrl | The Bird | Julian Fleetwood |
2014 | A Midsummer Night’s Dream | Mustardseed | The Q / Jordan Best |
2014 | Twelfth Night | Fabian | Canberra Repertory Society / Ed Wightman |
2013 | Ragdolls | Anna | Short + Sweet / Alison McGregor |
2012 | The Mousetrap | Ms Casewell | The Q / Jordan Best |
2010 | The Clever Country | Sarah | The Street Theatre / Daniel McCusker |
2009 | Cat on a Hot Tin Roof | Mae | Free Rain Theatre / Jordan Best |
2008 | Three Sisters | Masha | Charles Sturt University Ensemble / Walter Grkovic |
Performances
Year | Production | Role | Company/ Director |
2021 | Scene Study: Four Dogs and a Bone | Collette | Howard Fine Acting Studio / Sarah Hallam |
2021 | Scene Study: Rabbit Hole | Becca | Howard Fine Acting Studio / Sarah Hallam |
2021 | Scene Study: Anything For You | Lynette | Howard Fine Acting Studio / Sarah Hallam |
2017 | Hamlet (staged reading) | Gertrude/Polonius | Shakespeare in the Pub / Cameron Thomas |
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